分析曼斯菲爾德莊園中的女性形象英語論文

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1、 本科生畢業(yè)論文（設(shè)計(jì)）冊 學(xué)院 XXX學(xué)院 專業(yè) 英語教育 班級 XXXX級英語教育X班 學(xué)生 XXX 指導(dǎo)教師 XXX XXXX大學(xué)本科生畢業(yè)論文（設(shè)計(jì)）開題報(bào)告書 XXX學(xué)院 英語教育 專業(yè) XXXX 屆 學(xué)生 XXX 論文（設(shè)計(jì)）題目 分析《曼斯菲爾德莊園》中的女性形象 指導(dǎo) 教師 XXX 專業(yè) 職稱

2、 XX 所屬教研室 高年級教研室 研究方向 英美文學(xué) 課題論證：通過分析《曼斯菲爾德莊園》中的女性人物，了解小說表現(xiàn)出的維多利亞時(shí)期女性的生存狀態(tài)與思想狀態(tài)。 方案設(shè)計(jì)：第一章介紹漫畫式的正統(tǒng)老一代形象， 第二章個(gè)性揚(yáng)的都市新一代形象， 第三章介紹特立獨(dú)行的女主人公形象。 進(jìn)度計(jì)劃：3月16日前確定初步論文題目 3月23日前寫開題報(bào)告、任務(wù)書 3月30日前提交論文提綱 4月20日前提交初稿和文獻(xiàn)綜述 5月8日前交終稿和評議書 指導(dǎo)教師意見： 指導(dǎo)教師簽名： 年

3、 月 日 教研室意見： 教研室主任簽名： 年 月 日 XXXX大學(xué)本科畢業(yè)論文（設(shè)計(jì)）任務(wù)書 編 號(hào)： 論文（設(shè)計(jì)）題目： 分析《曼斯菲爾德莊園》中的女性形象 學(xué)院： XXX學(xué)院 專業(yè)： 英語教育 班級： XXXX級英語教育X班 學(xué)生： XXX 學(xué)號(hào)： XXXXXX 指導(dǎo)教師： XXX 職稱：XX 1、 論文（設(shè)計(jì)）研究目標(biāo)與主要任務(wù) 本論文的研究目標(biāo)是對《曼斯菲爾德莊園》中的女性人物進(jìn)行分析。其主要任務(wù)是通過分析《

4、曼斯菲爾德莊園》中的女性人物，了解小說表現(xiàn)出的維多利亞時(shí)期女性的生存與思想狀態(tài)。 2、論文（設(shè)計(jì)）的主要容 本論文分為三章，第一章介紹漫畫式的正統(tǒng)老一代形象，第二章介紹個(gè)性揚(yáng)的都市新一代形象，最后一章介紹特立獨(dú)行的女主人公形象。 3、論文（設(shè)計(jì)）的基礎(chǔ)條件與研究路線 本論文的基礎(chǔ)條件是國外對《曼斯菲爾德莊園》所做過的研究。 研究路線是對《曼斯菲爾德莊園》中的女性人物進(jìn)行分析，分析她們的生存與心理狀態(tài)。 4、主要參考文獻(xiàn) Edward, W. Said. 1994. Culture and Imperialism. Vintage Press

5、. Jane, Austen. 1816. MansfieldPark. London: Greenwich Park Xia, Yanhua 夏延華. 《情人誓言背后的真情與假意──〈曼斯菲爾德莊園〉的復(fù)調(diào)解析》（《理工大學(xué)學(xué)報(bào)》2010年第6期） Zhang, Danan丹丹.《倔強(qiáng)的靈魂-略論奧斯丁的女權(quán)主義思想》（《當(dāng)代文壇》2001年第3期） 5、計(jì)劃進(jìn)度 階段 起止日期 1 確定初步論文題目 3月16日前 2 與導(dǎo)師見面，確定大致圍，填開題報(bào)告和任務(wù)書，導(dǎo)師簽字 3月16日-3月23日 3 提交論文提綱 3月23日-3月30日 4 交初稿和文

6、獻(xiàn)綜述 3月30日-4月20日 5 交終稿和評議書 5月8日前 指 導(dǎo) 教師：年月日 教研室主任：年月 注：一式三份，學(xué)院（系）、指導(dǎo)教師、學(xué)生各一份 XXXX大學(xué)本科生畢業(yè)論文（設(shè)計(jì)）評議書 姓 名 XXX 學(xué)院 XXX學(xué)院 專業(yè) 英語教育 年級（班） XXX級英語教育X班 論文題目 分析《曼斯菲爾德莊園》中的女性形象 完成時(shí)間 XXX/5/8 論 文 容 摘 要 《曼斯菲爾德莊園》作為簡·奧斯丁轉(zhuǎn)型時(shí)期的作品，有著很大的作用。這部小說情節(jié)復(fù)雜，突發(fā)事件集中，諷刺意味濃重， 代表了簡·奧斯丁的藝

7、術(shù)思想和成就。通過細(xì)讀《曼斯菲爾德莊園》，探討作品中的女性人物所體現(xiàn)出的女性意識(shí)，了解簡·奧斯丁為建立一種女性寫作傳統(tǒng)而做出的貢獻(xiàn)。除“引言”和“結(jié)語”外，本文主體分為三部分。引言部分介紹簡·奧斯丁在文學(xué)史上的地位，她寫《曼斯菲爾德莊園》時(shí)所處的社會(huì)狀態(tài)與心理狀態(tài)，本文的研究目的和意義。主體部分則從“漫畫式的正統(tǒng)老一代形象”，“個(gè)性揚(yáng)的都市新一代形象”和“特立獨(dú)行的女主人公形象”三個(gè)方面來分析小說中不同女性所體現(xiàn)出的女性意識(shí)。結(jié)語部分總結(jié)了對小說中女性形象的女性意識(shí)分析，凸顯《曼斯菲爾德莊園》的作用。 指 導(dǎo) 教 師 評 語 年 月日 指

8、導(dǎo)教師 職稱 初評成績 答辯小組 職稱 教研室 組長 成員 答辯記錄： 記錄人簽字：年月日 答辯小組意見： 組長簽字：年月日 學(xué)院意見： 評定成績：簽章 年月日 Literature review Mansfield Park was written by JaneAusten after she had published Sense and Sensibilit

9、y (1811) and Pride and Prejudice (1813). It did improve Jane’s progress. The studies of Jane Austen loom so large in west literature. As early as in 1812, when Jane first put her work in public, study about her work had sprung. At that time, Scott wrote the first counted critical paper, An Unnamed

10、 about Emma, which gave an impersonal comment. Since then studies about Jane Austen came in a throng. In the research perspective, the western scholars had a variety of opinions and constantly developed a multi-level connotation of Jane’s work. Those who from the perspective of feminism and ecologic

11、al criticism, considered that Jane’s work showed a distinctive view of feminism and worry and concern of ecology; who from the perspective of post-colonialism analyses the influence of English colonial expansion upon Jane’s work and reflect in her writing; who from the perspective of psychology unsc

12、rambled Jane’s theme of the works; who from the perspective of creative techniques discussed Jane’s irony in her productions; who from the perspective of reality and nature analyses Jane’s creative techniques. All of that made contributions to a more deep understanding of Jane’s works. Attentions f

13、rom Chinese Literary Translation and Foreign Literature Studies rose at about in 1980s. Before 1980s, lots of critics commented that Jane’s life was narrow and theme was trivial, so Jane didn’t get a due attention. Zhu Hong is China’s earlier attention to Austen scholar, who compiledAusten Research

14、in 1985, which did a comprehensive introduction of Austen and her works and opened a window for Chinese scholars to understand and study of Austen. Meanwhile, Kong Haili, Jin Guojia, Lou Chenghong had also translated some foreign critics of Austen’s article in Literary Theory. All of that had made t

15、he 1980s became a little climax for study of Austen. In 1990s, especially since 2000, Jane Austen and her works had become a hotspot in the literature translation and foreign literature research. Jane Austen's work has been made into movies, TV drama,The domestic press, such as the Yilin press, Shan

16、ghai Translation Publishing House, Nanjing University press, launched the Jane Austen's novels, essays, comments set, research results are more and more.Kong Zhili seriously and comprehensively translated all the works of Jane Austen. There are also other translators who have made a great contribut

17、ion to the spread of Austen's works in China. There areZi Pei, Xiang Xingyao, Kong Zhili, Xi Yuqing, Su Dan, Li Yeyi and Zhang Yunlu who have translated Mansfield Park. The Jane Austen researchers think, Mansfield Parkgot a major breakthroughin the psychological description and narrative skill, an

18、d it is “a milepost” in the history of the British novel.This work was written after Jane Austen had experienced two major historical changes. In the works reflected the old aristocratic territory gradually invaded by the new bourgeoisie nobility.This is also Jane Austen’s first work reflecting the

19、times background at that time.It makes Austen become a more mature female writer. Researches on theMansfield Park were mainly from fine cut-in point such as the study of language features, the image of Fanny, the structure andspirit connotation, imperialist feelings, moral value judgment,connotation

20、 oflocation, post-colonial cultural criticism, temporal and spatial extension, drama in the novel, , social and historical connotation, polyphony performance, absence of narrative to talk about.Papers about this novel includes Fu Wenping’s ‘a(chǎn)nalyze Jane Austen’s art of fiction in Mansfield Park’, wh

21、ich focused on the grasp of the value of Austen characters, plot in the works, up to the whole structure, shape a perfect moral world.Lei Yun’s ‘Fanny Price’s spiritual image: woman’s self - shaping and self-realization in Mansfield Park, which adopted the perspective of feminism, through the analys

22、is of woman’s self - shaping and self-realization in Mansfield Park, put up with that Fanny, the heroine in the novel, as a female image with rich spiritual, condensate Jane Austen’s unique insights on the value of women and female influence. Then it pointed out that this novel got enlightenment sig

23、nificance to the contemporary women seeking self-liberation. Song Xiaohan’s ‘the new female image in Mansfield Park’, through the analysis of Fanny,proved that Jane Austen air the voice of feminism in the works and deeply questioned that British social prejudice against women at that time. Zheng Ke’

24、s ‘Definition and mood variation identity─the analysis of Fanny in Mansfield Park’, through the definition of Fanny's identity to analyze her mood variation, further explained that Fanny's ethics code and language expression is affected by the different identity.Lin Wenchen’s ‘a(chǎn)s I read Mansfield Pa

25、rk’, by Fanny and Mary’s contradictorylove and marriage consciousness,reproduced the rational and emotional consciousness in love and the extremely contradictory condition to reveal the significance and value. She thought that Jane Austen was an artist who wrote life from description of life, and he

26、r novel value lies in its perceptual representation of the contradictions of life which the writer are most concerned about. So far, feminist research on Mansfield Park is mostly on her marriage, money concept in the work, while it is still a blank about the female consciousnessreflected by the fem

27、ale characters in Mansfield Park. In shaping the image of women, what role does female consciousness play? What areas did the unique female consciousness embody in?This article will analyze Mansfield Park from the perspective of female consciousnessin order to answer the above questions.

28、 編號(hào)： 本科生畢業(yè)論文 題目：分析《曼斯菲爾德莊園》中的女性形象 姓 名：XXX 班 級：XXXX級X班 指導(dǎo)老師：XXX 專 業(yè)：英語教育 院 系：XXX學(xué)院英語系 完成日期：XXXX年5月8日 On Female Image in Mansfield Park BY XXXX Prof. XXXX, Tutor A Thesis Submitted to Department of Engl

29、ish Language and Literature in Partial Fulfillment of the Requirements for the Degree of B.A in English At XXXXX University May 8th, XXXX Abstract Mansfield Park, as a work in the transition period of Jane Austen, has a great effect. This novel had complex plots. There wer

30、e a lot of unexpected events in it. It had a heavy irony in the lines. It represented the artistic thought and achievement of Jane Austen. Through a close reading of Mansfield Park, explore the female characters in the novel embodied in the female consciousness; learn about the contribution of Jane

31、 Austen to establish a tradition of female writing. Besides "Introduction" and "conclusion", the body of the paper is divided into three parts. The introduction part introduces Jane Austen’s status in the history of literature; the social environment and her psychological state when she wrote Mans

32、field Park; the purpose and significance of the research.The main part analyzes different women embodied in the female consciousness in the novel from three aspects as the image of the old orthodox comic female, the image of the young open citizen and the image of the maverick heroine. The conclusio

33、n part summarizes the analysis the female consciousness of the female image in the novel, highlight the Mansfield Park role. Key words: female image orthodox open maverick 摘要 《曼斯菲爾德莊園》作為簡·奧斯丁轉(zhuǎn)型時(shí)期的作品，有著很大的作用。這部小說情節(jié)復(fù)雜，突發(fā)事件集中，諷刺意味濃重， 代表了簡·奧斯丁的藝術(shù)思想和成就。通過細(xì)讀《曼斯菲爾德莊園》，探討作品中的女性人物所體

34、現(xiàn)出的女性意識(shí)，了解簡·奧斯丁為建立一種女性寫作傳統(tǒng)而做出的貢獻(xiàn)。除“引言”和“結(jié)語”外，本文主體分為三部分。引言部分介紹簡·奧斯丁在文學(xué)史上的地位，她寫《曼斯菲爾德莊園》時(shí)所處的社會(huì)狀態(tài)與心理狀態(tài)，本文的研究目的和意義。主體部分則從“漫畫式的正統(tǒng)老一代形象”，“個(gè)性揚(yáng)的都市新一代形象”和“特立獨(dú)行的女主人公形象”三個(gè)方面來分析小說中不同女性所體現(xiàn)出的女性意識(shí)。結(jié)語部分總結(jié)了對小說中女性形象的女性意識(shí)分析，凸顯《曼斯菲爾德莊園》的作用。 關(guān)鍵詞：女性形象 正統(tǒng) 揚(yáng) 特立獨(dú)行 43 / 43 Table of C

35、ontents Abstract……………………………………………………………………iii Abstract in Chinese………………………………………………………..iv Introduction 02 Chapter I. The Image of the Old Orthodox Comic Female………………...05 A. Lady in different life circumstances………………………………05 B. Money marriage supporters……………………………………….10 Chapter II The Image

36、 of the Young Open Citizen………………………...12 A. The detach of love and marriage…………………………………...12 B. Pursuit the realization of self-value……………………………….14 C. The break between real and dream………………………………...15 Chapter III The Image of the Maverick Heroine………………………….16 A. Fanny Under the Third Person

37、Omniscient Point of View……….16 B. The Reconstruction of Self Resistance……………………………18 Conclusion………………………………………………………………....20 Notes………………………………………………………………………23 Bibliography………………………………………………………………24 Introduction Jane Austen is a famous English feminist novelist

38、 who belongs to the Romantic Period. Her novels were mainly about young people’s love and marriage, themes were relatively traditional. Heroines in her works had got rid of the bondage of traditional ideas. This word, woman, is not just a none. She had endowed heroines, who were on behalf of the you

39、ng sensitive, thoughtful and independent women, with more abundant connotation. All of her heroines had experienced the transformation process from immature to mature, and had the characteristics of ration. Mansfield Park, as a work of a special period, showed a major shift in Austen’s creative thin

40、king. Obviously, there was an inseparable relationship between this shift and Austen’s living environment, personality and the cultural context at that time. Mansfield Park was published in 1814. In the early 19th century, talking about women writers’ writing environment, Woolf said, in A Room of O

41、ne’s Own, that at that time, Jane Austen lived in her family’s public living room, she always wrote a few words when there was no one in the neighborhood, once someone came in, she quickly put the paper away, she had always been on tenterhooks of writing. Because during that time, novel was not rega

42、rded as the orthodox literature, what is more, the female writing is treason and heresy; to the male, lady is presided over the housekeeping at home as an understanding wife and loving mother. This showed that the social status of women’s education. Edmund entered Eaton College and the University of

43、 Oxford, which was not allowed for women at that time. Even if there was a position like Miss Bertram upper-class women, only in order to better play the role in the family to master some skills, or to show virtue to accept some religious education. Living in the patriarchal repression of the societ

44、y, Jane Austen had to stick to her writing in the difficult environment. It was evident that it was very praiseworthy for one’s excellent conduct to win her literary status in the patriarchal society. Before Jane Austen’s literary creation, British female literature has undergone a series of change

45、s. It has a history of nearly 100 years from women writers “began to speak her mind” to “sentimentalism” literature thoughts, and then to the duality explanation of “female virtue”, finally really relates to the “dignity of women”. These literary practices not only opened Jane Austen’s eyes, but als

46、o provided rich material and cultural soil for her literary creation. In the British literature of the eighteenth century, women’s literature began to break the tradition and occupy a corner position in literature field. But because people in the world they lived considered patriarchal culture as th

47、e values of the society for a long term, their works were to some extent unconsciously imitating masculine writing. Women writers who tried to write literature, faced with a very difficult situation, which is “they had no tradition behind, or the tradition is such a short and local that is useless.”

48、1 Women novelist still echoed male discourse in the literature creation, no frame out to men as the main body of the traditional literature, lack of distinctive female literature characteristics. Female writers were not only influenced by their era in the environment, but also related to their norma

49、l reading. It was extremely difficult for them to break away from the influence and restriction. Mansfield Park was created in Victoria, which is a social transformation era. The Victoria times was considered to be the vertices of the British Industrial Revolution period, the British Empire economi

50、c and cultural heyday. The industrial revolution made family handicraft industry, which was dominated by women, was replaced by large-scale machine production. The benefits women can bring in the economic field significantly reduced. As losing economic sources, they naturally lost power at home. In

51、addition, there was unfair property inheritance law, which prohibits women inherited their father’s property, and which hurts their vital interests. Facing with all kinds of situations, female self-consciousness and social roles are experiencing great changes and remodeling. Women, in each class, di

52、fferent living conditions in Mansfield Park, were representative of women in this period. At the same time, Jane Austen grew up in the age of enlightenment, which was a special time; various complex ideologies naturally provided sensitive and studious Austen with a good learning opportunity. Being

53、an authority scholar of Jane Austen, Dr?Xia Pumang summarized a list about reading bookings of Austen, seen from which can be analyzed Austen’s interest in reading: the reading scope was very broad, various forms and styles of literary works were covered. Seen from her works, it is not difficult to

54、find the shadow of Gothic novel, sentimental novel, realistic fiction, poetry and other literary style. As to the previous literature style, Jane Austen did not blindly inherit. In eighteenth Century, the main content of female writers’ works was using male perspective to examine the heroine to show

55、 unique performance of emotional feature of female, and Sentimentalism was the main trend. Jane Austen opposed the trend of creation which moaned and groaned without being ill, and began to form her own unique style in her creative writing, focused on a series of social issues from women’s eyes, suc

56、h as love, marriage and family, which broaden the literature writing. Jane Austen’s literary creation is beginning in late eighteenth century, when the Enlightenment had already been fully spread, female consciousness gradually awaken, women’s writing had got a breakthrough. She departed from one’s

57、normal behavior, with the female perspective, tried to find a female in the patriarchal society. Jane Austen critically inherited the female on male value standard, pioneered the attempt of female discourse power. Relying on her talents and efforts, Austen let female consciousness direct her writing

58、, which enriched the connotation and the depth of female literature and provided new perspective on women. Female consciousness must be reflected by various female characters. Austen was good at portraying characters. In Mansfield Park, she created a series of female images to serve for expressing

59、her female consciousness. Chapter I. The Image of the Old Orthodox Comic Female At the beginning of Mansfield Park, it recalled that three Miss Ward had grown to marry. For her good looks and seven thousand pounds, Miss Maria Ward married Sir Thomas Bertram and became a baronet’s

60、lady; while her two sisters were not so lucky as herself: Miss Ward married the village priest, who with a little money, after waiting six years; Miss Frances got attached to a Lieutenant of Marines, who was no education, no fortune, and no connections. Now different marriages have caused different

61、 situations. A. Lady in different life circumstances Different life conditions made them play different roles in life. Superior living women seldom cared about the world and became hedonists; women in impoverished circumstance had to become slaves to their family and children. Lazy selfish lad

62、y Entering the upper-class, lady Bertram was “a woman of very tranquil feelings, and a temper remarkably easy and indolent.”2 Due to the advantages of living conditions, she had no need to worry about basic life trivial, which made her get nothing in her mind and never do any thinking. As a mo

63、ther, she did not show solicitude for her children’s education and marriage. When her husband was at home, she handed these rights and obligations over to her husband and she just teased her pug. When her husband was out of town, she was still lazy lying on the sofa, and put these things to her sist

64、er, Mrs. Norris, who liked to worry and perform. That was perfect for on one hand she could be able to go on her casual and comfortable life, on the other hand she could also meet her sister’s performance desire. Her older daughter Maria Bertram was at the age of making a match. It was supposed to b

65、e her to take her daughter to attend various parties or balls, but she would not go into public with her daughter. “She was too indolent even to accept a mother’s gratification in witnessing their success and enjoyment at the expense of any personal trouble”.3 Her laissez-faire parenting style made

66、the two miss Bertram only got beautiful appearance, but were moral shallowness and taught distorted values, finally could not stand the temptation of the outside world and fallen into the abyss of depravity. As a baronet’s wife, Mrs. Bertram was absolutely submissive to her husband. Her heart was emptiness. She asked her husband’s idea for everything, even playing cards with friends and arranging someone to keep her company to kill time. In her husband’s career, she has no thought to share his j